Image descriptions
Image one: E-book titled Shifting Grounds: Landscape in Contemporary Native American Art (2019) - synopsis: In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding, reconceptualizing, and remaking the forms of landscape painting still further, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works are rarely if ever primarily visual representations, but instead evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos and Postcommodity's installations to the immersive environments of Kent Monkman's dioramas, this landscape art resonates with a fully embodied and embedded subjectivity.
Image two: E-book titled Living with Whales: Documents and Oral Histories of Native New England Whaling History (2013) - synopsis: Native Americans along the coasts of southern New England and Long Island have had close ties to whales for thousands of years. They made a living from the sea and saw in the world’s largest beings special power and meaning. After English settlement in the early seventeenth century, the region’s natural bounty of these creatures drew Natives and colonists alike to develop whale hunting on an industrial scale. By the nineteenth century, New England dominated the world in whaling, and Native Americans contributed substantially to whaleship crews. In Living with Whales, Nancy Shoemaker reconstructs the history of Native whaling in New England through a diversity of primary documents: explorers’ descriptions of their “first encounters,” indentures, deeds, merchants’ accounts, Indian overseer reports, crew lists, memoirs, obituaries, and excerpts from journals kept by Native whalemen on their voyages.
