Image descriptions:
Image one: E-book titled The Dread of Difference: Gender and the Horror Film (2015) - synopsis: This classic film studies text opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Subsequent essays explore the history of the genre, from classic horror such as King Kong and Bride of Frankenstein to the more recent Fatal Attraction and Bram Stoker’s Dracula. Other topics covered include the work of horror auteurs David Cronenberg, Dario Argento, and George Romero; the Aliens trilogy; and the importance of gender in relation to horror marketing and reception.
Image two: E-book titled Queer Horror Film and Television: Sexuality and Masculinity at the Margins (2016) - synopsis: This book focuses mainly on representations of masculinity, and gay male spectatorship in queer horror films and television post-2000. In titling this sub-genre “queer horror,” Elliott-Smith designates horror that is crafted by male directors/producers who self-identify as gay, bi, queer, or transgendered and whose work features homoerotic, or explicitly homosexual, narratives with “out” gay characters. In terms of case studies, this book considers a variety of genres and forms from: video art horror; independently distributed exploitation films; queer Gothic soap operas; satirical horror comedies; low-budget slashers; and contemporary representations of gay zombies in film and television.