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Image one: E-book titled A Misplaced Massacre: Struggling over the Memory of Sand Creek (2015) - synopsis: In the early morning of November 29, 1864, with the fate of the Union still uncertain, part of the First Colorado and nearly all of the Third Colorado volunteer regiments, commanded by Colonel John Chivington, surprised hundreds of Cheyenne and Arapaho people camped on the banks of Sand Creek in southeastern Colorado Territory. More than 150 Native Americans were slaughtered, the vast majority of them women, children, and the elderly, making it one of the most infamous cases of state-sponsored violence in U.S. history. A Misplaced Massacre examines the ways in which generations of Americans have struggled to come to terms with the meaning of both the attack and its aftermath, most publicly at the 2007 opening of the Sand Creek Massacre National Historic Site. This site opened after a long and remarkably contentious planning process. Native Americans, Colorado ranchers, scholars, Park Service employees, and politicians alternately argued and allied with one another around the question of whether the nation’s crimes, as well as its achievements, should be memorialized.
Image two: E-book titled The Life of Sherman Coolidge, Arapaho Activist (2022) - synopsis: Sherman Coolidge’s (1860-1932) panoramic life as survivor of the Indian Wars, witness to the maladministration of the reservation system, mediator between Native and white worlds, and ultimate defender of Native rights and heritage made him the embodiment of his era in American Indian history. Born as Des-che-wa-wah to a band of Northern Arapaho in present-day Wyoming and later adopted by a sympathetic infantry lieutenant who changed his name, Coolidge inhabited western plains and eastern cities, rode in military campaigns against the Lakota, entered the Episcopal priesthood, labored as missionary to his tribe on the Wind River Reservation, fomented dangerous conspiracies, married a wealthy New York heiress, met with presidents and congressmen, and became one of the nation’s most prominent Indigenous persons as leader of the Native-run reform group the Society of American Indians. Coolidge’s fascinating biography is essential for understanding the myriad ways Native Americans faced modernity at the turn of the century.
Image one: E-book titled The Specter of the Indian: Race, Gender, and Ghosts in American Seances, 1848-1890 (2017) - synopsis: The Specter of the Indian unveils the centrality of Native American spirit guides during the emergent years of American Spiritualism. By pulling together cultural and political history; the studies of religion, race, and gender; and the ghostly, Kathryn Troy offers a new layer of understanding to the prevalence of mystically styled Indians in American visual and popular culture. The connections between Spiritualist print and contemporary Indian policy provide fresh insight into the racial dimensions of social reform among nineteenth-century Spiritualists. Troy draws fascinating parallels between the contested belief of Indians as fading from the world, claims of returned apparitions, and the social impetus to provide American Indians with a means of existence in white America.
Image two: E-book titled Ancestral Mounds: Vitality and Volatility of Native America (2015) - synopsis: Ancestral Mounds deconstructs earthen mounds and myths in examining their importance in contemporary Native communities. Two centuries of academic scholarship regarding mounds have examined who, what, where, when, and how, but no serious investigations have addressed the basic question, why? Drawing on ethnographic and archaeological studies, Jay Miller explores the wide-ranging themes and variations of mounds, from those built thousands of years ago to contemporary mounds, focusing on Native southeastern and Oklahoma towns.
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Image one: E-book titled Baba Yaga: The Wild Witch of the East in Russian Fairy Tales (2013) - synopsis: In new translations and with an introduction by Sibelan Forrester, Baba Yaga: The Wild Witch of the East in Russian Fairy Tales is a selection of tales that draws from the famous collection of Aleksandr Afanas’ev, but also includes some tales from the lesser-known nineteenth-century collection of Ivan Khudiakov. This new collection includes beloved classics such as “Vasilisa the Beautiful” and “The Frog Princess,” as well as a version of the tale that is the basis for the ballet “The Firebird.”
Image two: E-book titled The Monster in the Garden: The Grotesque and the Gigantic in Renaissance Landscape Design (2015) - synopsis: Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry.
Image one: E-book titled Beyond the Night: Creatures of Life, Death, and the In-Between (2015) - synopsis: From Beowulf and Buffy, to Freddy Krueger and Frankenstein’s Monster, this collection highlights different aspects of the monstrous, and discusses various ways in which they can be read, discussed, and understood. What does the mother in Beowulf really represent? How can the character of Zoey Redbird really be understood? What is the importance of memories in Buffy the Vampire Slayer? And what should we make of Terry Pratchett’s undead creatures? And what role does the children-friendly vampire play? Beyond the Night offers a range of insights into these topics, as well as many more.
Image two: E-book titled The Vampire: A New History (2018) - synopsis: Published to mark the bicentenary of John Polidori’s publication of The Vampyre, Nick Groom’s detailed new account illuminates the complex history of the iconic creature. The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore. Groom accordingly traces the vampire from its role as a monster embodying humankind’s fears, to that of an unlikely hero for the marginalized and excluded in the twenty-first century. Drawing on literary and artistic representations, as well as medical, forensic, empirical, and sociopolitical perspectives, this rich and eerie history presents the vampire as a strikingly complex being that has been used to express the traumas and contradictions of the human condition.
Image one: E-book titled The Horrors of War: The Undead on the Battlefield (2015) - synopsis: Battlefields have traditionally been considered places where the spirits of the dead linger, and popular culture brings those thoughts to life. Supernatural tales of war told in print, on screen, and in other media depict angels, demons, and legions of the undead fighting against—or alongside—human soldiers. Ghostly war ships and phantom aircraft carry on their never-to-be-completed missions, and the spirits—sometimes corpses—of dead soldiers return to confront the enemies who killed them, comrades who betrayed them, or leaders who sacrificed them. In Horrors of War: The Undead on the Battlefield, Cynthia J. Miller and A. Bowdoin Van Riper have assembled essays that explore the meaning and significance of these tales.
Image two: E-book titled The Dread of Difference: Gender and the Horror Film (2015) - synopsis: An undying procession of sons of Dracula and daughters of darkness has animated the horror film genre from the beginning. Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics. The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre.
Image one: E-book titled Blood Will Tell: Vampires as Political Metaphors before World War I (2011) - synopsis: Blood Will Tell explores the ways in which writers, thinkers, and politicians used blood and vampire-related imagery to express social and cultural anxieties in the decades leading up to the First World War. Covering a wide variety of topics, including science, citizenship, gender, and anti-Semitism, Robinson demonstrates the ways in which rhetoric tied to blood and vampires permeated political discourse and transcended the disparate cultures of Great Britain, France, Germany, and the United States, forming a cohesive political and cultural metaphor.
Image two: E-book titled Pandemonium and Parade: Japanese Monsters and the Culture of Yokai (2008) - synopsis: Water sprites, mountain goblins, shape-shifting animals, and the monsters known as yôkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines, and movies, exploring their meanings in the Japanese cultural imagination and offering an abundance of valuable and, until now, understudied material. Michael Dylan Foster tracks yôkai over three centuries, from their appearance in seventeenth-century natural histories to their starring role in twentieth-century popular media.
