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Image one: E-book titled Baba Yaga: The Wild Witch of the East in Russian Fairy Tales (2013) - synopsis: In new translations and with an introduction by Sibelan Forrester, Baba Yaga: The Wild Witch of the East in Russian Fairy Tales is a selection of tales that draws from the famous collection of Aleksandr Afanas’ev, but also includes some tales from the lesser-known nineteenth-century collection of Ivan Khudiakov. This new collection includes beloved classics such as “Vasilisa the Beautiful” and “The Frog Princess,” as well as a version of the tale that is the basis for the ballet “The Firebird.”
Image two: E-book titled The Monster in the Garden: The Grotesque and the Gigantic in Renaissance Landscape Design (2015) - synopsis: Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry.
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Image one: E-book titled Dead Funny: The Humor of American Horror (2023) - synopsis: Horror films strive to make audiences scream, but they also garner plenty of laughs. In fact, there is a long tradition of horror directors who are fluent in humor, from James Whale to John Landis to Jordan Peele. So how might horror and humor overlap more than we would expect? Dead Funny locates humor as a key element in the American horror film, one that is not merely used for extraneous “comic relief” moments but often serves to underscore major themes, intensify suspense, and disorient viewers. Each chapter focuses on a different comic style or device, from the use of funny monsters and scary clowns in movies like A Nightmare on Elm Street to the physical humor and slapstick in movies ranging from The Evil Dead to Final Destination.
Image two: E-book titled Eaters of the Dead: Myths and Realities of Cannibal Monsters (2021) - synopsis: Spanning myth, history, and contemporary culture, a terrifying and illuminating excavation of the meaning of cannibalism. Every culture has monsters that eat us, and every culture repels in horror when we eat ourselves. From Grendel to medieval Scottish cannibal Sawney Bean, and from the Ghuls of ancient Persia to The Texas Chainsaw Massacre, tales of being consumed are both universal and universally terrifying. In this book, Kevin J. Wetmore Jr. explores the full range of monsters that eat the dead: ghouls, cannibals, wendigos, and other beings that feast on human flesh. Moving from myth through history to contemporary popular culture, Wetmore considers everything from ancient Greek myths of feeding humans to the gods, through sky burial in Tibet and Zoroastrianism, to actual cases of cannibalism in modern societies.
Image one: E-book titled Beyond the Night: Creatures of Life, Death, and the In-Between (2015) - synopsis: From Beowulf and Buffy, to Freddy Krueger and Frankenstein’s Monster, this collection highlights different aspects of the monstrous, and discusses various ways in which they can be read, discussed, and understood. What does the mother in Beowulf really represent? How can the character of Zoey Redbird really be understood? What is the importance of memories in Buffy the Vampire Slayer? And what should we make of Terry Pratchett’s undead creatures? And what role does the children-friendly vampire play? Beyond the Night offers a range of insights into these topics, as well as many more.
Image two: E-book titled The Vampire: A New History (2018) - synopsis: Published to mark the bicentenary of John Polidori’s publication of The Vampyre, Nick Groom’s detailed new account illuminates the complex history of the iconic creature. The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore. Groom accordingly traces the vampire from its role as a monster embodying humankind’s fears, to that of an unlikely hero for the marginalized and excluded in the twenty-first century. Drawing on literary and artistic representations, as well as medical, forensic, empirical, and sociopolitical perspectives, this rich and eerie history presents the vampire as a strikingly complex being that has been used to express the traumas and contradictions of the human condition.
Image one: E-book titled Blood Will Tell: Vampires as Political Metaphors before World War I (2011) - synopsis: Blood Will Tell explores the ways in which writers, thinkers, and politicians used blood and vampire-related imagery to express social and cultural anxieties in the decades leading up to the First World War. Covering a wide variety of topics, including science, citizenship, gender, and anti-Semitism, Robinson demonstrates the ways in which rhetoric tied to blood and vampires permeated political discourse and transcended the disparate cultures of Great Britain, France, Germany, and the United States, forming a cohesive political and cultural metaphor.
Image two: E-book titled Pandemonium and Parade: Japanese Monsters and the Culture of Yokai (2008) - synopsis: Water sprites, mountain goblins, shape-shifting animals, and the monsters known as yôkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines, and movies, exploring their meanings in the Japanese cultural imagination and offering an abundance of valuable and, until now, understudied material. Michael Dylan Foster tracks yôkai over three centuries, from their appearance in seventeenth-century natural histories to their starring role in twentieth-century popular media.
Fiction:- Lock Every Door by Riley Sager- The Silent Patient by Alex Michaelides- Artemis by Andy Weir- Dead Astronauts by Jeff Vandermeer- My Sister, the Serial Killer by Oyinkan Braithwaite- Vox by Christina Dalcher- Where the Crawdads Sing by Delia Owens- The Water Dancer by Ta-Nehisi Coates
Nonfiction:- Little Weirds by Jenny Slate- Trick Mirror: Reflections on Self-Delusion by Jia Tolentino- The Photographer: Into War-Torn Afghanistan with Doctors Without Borders by Emmanuel Guibert, Didier Lefevre, and Frederic Lemercier- Manga Kamishibai: The Art of Japanese Paper Theater by Eric P. Nash- The Mosquito: A Human History of Our Deadliest Predator by Timothy C. Winegard- Places of the Heart: The Psychogeography of Everyday Life by Colin Ellard- Theories of International Politics and Zombies by Daniel W. Drezner- The Ghosts of Eden Park: The Bootleg King, the Women Who Pursued Him, and the Murder That Shocked Jazz-Age America by Karen Abbott
Image one: E-book titled The Female Crucifix: Images of St. Wilgefortis since the Middle Ages (2001) - synopsis: The legendary bearded female St. Wilgefortis, also known by a variety of other names including “Kummernis” and “Uncumber,” was the object of fervent veneration in areas of Western and Central Europe for almost half a millennium. Beginning in the fifteenth century, the legend of her dramatic transformation from a beautiful, privileged princess into a bearded, Christlike martyr on the cross inspired scores of paintings, sculptures, poems, prayers and shrines in her honor all across Europe. In spite of frequent opposition by the hierarchy of the Catholic Church, her cult of veneration at one point nearly rivaled that of the Virgin Mary in some parts of Europe. In this informative and groundbreaking new book, Professor Ilse E. Friesen examines the phenomenon of St. Wilgefortis from an art historical perspective, tracing the origins of depictions of the saint from an early medieval Italian statue known as Volto Santo, or “holy face,” through the emergence of increasingly feminized crucifixes over the course of the subsequent centuries.
Image two: E-book titled Resistance Reimagined: Black Women's Critical Thought as Survival (2017) - synopsis: Resistance Reimagined highlights unconventional modes of black women's activism within a society that has spoken so much of freedom but has granted it so selectively. Regis Fox terms this gap between democratic promise and dispossession the “liberal problematic,” and in this book she shows how black women have disrupted it as a form of resistance. Looking closely at nineteenth- and twentieth-century writings by African American women that reimagine antebellum America, Fox introduces types of black activism that differ from common associations with militancy and maleness. In doing so, she confronts expectations about what African American literature can and should be.
Image one: E-book titled The Female King of Colonial Nigeria: Ahebi Ugbabe (2011) - synopsis: Nwando Achebe presents the fascinating history of an Igbo woman, Ahebi Ugbabe, who became king in colonial Nigeria. Ugbabe was exiled from Igboland, became a prostitute, traveled widely, and learned to speak many languages. She became a close companion of Nigerian Igala kings and the British officers who supported her claim to the office of headman, warrant chief, and later, king. In this unique biography, Achebe traces the roots of Ugbabe’s rise to fame and fortune. While providing critical perspectives on women, gender, sex and sexuality, and the colonial encounter, she also considers how it was possible for this woman to take on the office and responsibilities of a traditionally male role.
Image two: E-book titled Indigenous Women's Movements in Latin America: Gender and Ethnicity in Peru, Mexico, and Bolivia (2016) - synopsis: This book explores the political contexts and internal dynamics of indigenous movements, to show that they created different opportunities for women to organize and voice specific demands. This, in turn, led to various forms of organizational autonomy for women involved in indigenous movements. The trajectories vary from the creation of autonomous spaces within mixed-gender organizations to the creation of independent organizations.
Image one: E-book titled Africa in Stereo: Modernism, Music, and Pan-African Solidarity (2014) - synopsis: Africa in Stereo analyzes how Africans have engaged with African American music and its representations in the long twentieth century (1890-2011) to offer a new cultural history attesting to pan-Africanism’s ongoing and open theoretical potential. Tsitsi Jaji argues that African American popular music appealed to continental Africans as a unit of cultural prestige, a site of pleasure, and most importantly, an expressive form already encoded with strategies of creative resistance to racial hegemony.
Image two: E-book titled Sacred Steel: Inside an African American Steel Guitar Tradition (2010) - synopsis: In this book, Robert L. Stone follows the sound of steel guitar into the music-driven Pentecostal worship of two related churches: the House of God and the Church of the Living God. A rare outsider who has gained the trust of members and musicians inside the church, Stone uses nearly two decades of research, interviews, and fieldwork to tell the story of a vibrant musical tradition that straddles sacred and secular contexts. Most often identified with country and western bands, steel guitar is almost unheard of in African American churches—except for the House of God and the Church of the Living God, where it has been part of worship since the 1930s.
Image one: E-book titled Vampires and Zombies: Transcultural Migrations and Transnational Interpretations (2016) - synopsis: The vampire, with roots in medieval European folklore, and the zombie, with origins in Afro-Caribbean mythology, have both undergone significant transformations in global culture, proliferating as deviant representatives of the zeitgeist. Among other topics, contributors discuss zombies in Thai films, vampire novels of Mexico, and undead avatars in horror videogames. This volume—with scholars from different national and cultural backgrounds—explores the transformations that the vampire and zombie figures undergo when they travel globally and through various media and cultures.
Image two: E-book titled Fear and Nature: Ecohorror Studies in the Anthropocene (2023) - synopsis: Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro.
