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Image one: E-book titled A Two-Spirit Journey: The Autobiography of a Lesbian Ojibwa-Cree Elder (2016) - synopsis: A Two-Spirit Journey is Ma-Nee Chacaby’s extraordinary account of her life as an Ojibwa-Cree lesbian. From her early, often harrowing memories of life and abuse in a remote Ojibwa community riven by poverty and alcoholism, Chacaby’s story is one of enduring and ultimately overcoming the social, economic, and health legacies of colonialism. Over the following decades, she achieved sobriety; trained and worked as an alcoholism counselor; raised her children and fostered many others; learned to live with visual impairment; and came out as a lesbian. In 2013, Chacaby led the first gay pride parade in her adopted city, Thunder Bay, Ontario. Ma-Nee Chacaby has emerged from hardship grounded in faith, compassion, humor, and resilience. Her memoir provides unprecedented insights into the challenges still faced by many Indigenous people.
Image two: E-book titled Left Handed, Son of Old Man Hat: A Navajo Autobiography (2018) - synopsis: Left Handed (Navajo) (1868–?) was a Diné man who was born at Hweéldi (the Bosque Redondo prison camp), where the American military held Navajos from 1863 to 1868, and then returned to the Navajo homeland with his family. At the time of Walter Dyk’s interviews about his life, he was positioned as an elder who had lived well and prospered. With a simplicity as disarming as it is frank, Left Handed tells the story of his life as he learns the Navajo lifeway, which is founded on the principles of honesty, foresightedness, and self-discipline.
Image one: E-book titled The Horrors of War: The Undead on the Battlefield (2015) - synopsis: Battlefields have traditionally been considered places where the spirits of the dead linger, and popular culture brings those thoughts to life. Supernatural tales of war told in print, on screen, and in other media depict angels, demons, and legions of the undead fighting against—or alongside—human soldiers. Ghostly war ships and phantom aircraft carry on their never-to-be-completed missions, and the spirits—sometimes corpses—of dead soldiers return to confront the enemies who killed them, comrades who betrayed them, or leaders who sacrificed them. In Horrors of War: The Undead on the Battlefield, Cynthia J. Miller and A. Bowdoin Van Riper have assembled essays that explore the meaning and significance of these tales.
Image two: E-book titled The Dread of Difference: Gender and the Horror Film (2015) - synopsis: An undying procession of sons of Dracula and daughters of darkness has animated the horror film genre from the beginning. Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics. The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre.